This was the first drawknife I ever bought. Ray Larsen who operated Genuine Forgery made this knife. Many of you may have this knife. I think it was inspired by The Windsor Institute which Ray ,before his retirement ,has sold many of this knife. I also have his scorp and really like the geometry of that tool. I see this drawknife from time to time pop up in classes that I teach. I really liked the knife when I first used it many years ago but have since let it collect dust as I have found better knives to replace it.
As you can see below this knife is ground to a knife edge. The handles are set in a neutral position which allow you to use this drawknife up or down. The biggest problem I have with this knife is how hard it is to sharpen and also it seems to dive down into the cut. I really like the quality of this knife and I think with a few changes in geometry this knife can perform really sweet.The first thing I do is hollow grind the back of the blade. The back is the side not stamped "Genuine Forgery". I use an angle grinder to hollow out the back which allows me to flatten the back easier. My goal is to make this knife a bevel up user.
After lots of grinding and working across my water stones I manage to get the back really flat as you can see below which I finish to an 8000 grit stone.
Then I simply use my jig on the slow speed grinder to make a hollow grind bevel on the top side of the knife. The I sharpen like I would any antique knife until I get a very sharp edge.
After the knife is razor sharp I cold bend the handles very slightly down to make the knife work as a bevel up knife. I like the bevel up knife because it follows the long grain wood fibers very nice when making chair spindles. I love the results and really like the idea I have taken a drawknife I never use and made it sing once again. I think Ray Larsen would be proud.
Here is the final shot of the youth chair with the black over red milk paint. Once I get the walnut table done I will deliver these to North Carolina. "Road Trip!!!"